가내수공업식 콘템포라리 앤드 폴리티칼 디지털 아트 매거진 liveevil

Wim Botha

2012-02-01T03:46:00.001-06:00

Wim Botha, Double God Vitrine (detail), 2007 Büste, Carved Afrikaans-English dictionary paper. The artist creates sculpture installations out of government and religious texts, reflecting on the human condition. The intricate structures are directly related to the materials used to construct them, which are often filled with definitions and standards of human identity, individuality, and immorality.

Ida Applebroog

2012-02-01T03:43:00.000-06:00

Jessika, 2007, Mixed media on mylar

Leslie Ann O’Dell

2012-02-01T03:40:00.000-06:00

Dujin Yoon

2012-02-01T03:37:00.000-06:00

Protecting Body Suit series

Roberto Coda Zabetta

2012-02-01T03:09:00.001-06:00

Senza titolo (2010), smalto su tela, cm 280x290

Lana Del Rey - Born To Die [Clams Casino Remix]

2012-02-01T00:42:00.000-06:00

Lana Del Rey - Born To Die [Clams Casino Remix]

diana scherer

2012-01-31T23:56:00.001-06:00

kobesystem

2012-01-31T22:03:00.003-06:00

dominate ninjas

Gang Gang Dance - 'MindKilla'

2012-01-31T08:51:00.002-06:00

i listen to lotta weird sht but this sht is fuckin weird

Pleq and Marihiko Hara — In The Mirror I Stand All Alone

2012-01-31T08:39:00.001-06:00

2012-01-31T08:22:00.000-06:00

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soap & skin _ thanatos

2012-01-31T08:19:00.001-06:00

portico quartet _ ruins

2012-01-31T08:06:00.001-06:00

Lane Crawford _ The Pinnacle of Style on Nowness

2012-01-31T00:09:00.000-06:00

http://www.nowness.com/day/2012/1/31/1861/lane-crawford-high-style

Lane Crawford: High Style on Nowness.com.

my work on nowness

nothing

2012-01-30T20:12:00.001-06:00

kenzo

2012-01-30T03:59:00.001-06:00

Modeselektor feat. Otto von Schirach "Evil Twin"

2012-01-29T22:50:00.001-06:00

massive attack _ teardrop

2012-01-29T22:40:00.002-06:00

Portishead - Glory Box

2012-01-29T22:35:00.001-06:00

sebastian _ total

2012-01-29T20:59:00.001-06:00

numb

2012-01-29T20:20:00.005-06:00

Lara Stone: American Fairytale

2012-01-29T20:06:00.000-06:00

Lara Stone: American Fairytale on Nowness.com.

Ian Caulkett

2012-01-27T05:51:00.000-06:00

Fatima Al Qadiri - How Can I Resist U

2012-01-27T05:40:00.001-06:00

PJ Harvey - On Battleship Hill

2012-01-27T00:31:00.001-06:00

shigeto _ hudson river drive

2012-01-27T00:22:00.002-06:00

more soulful beats from ghostly international.

Lineage EP
http://ghostly.com/releases/lineage-ep

David Lynch/Interpol - I Touch A Red Button Man/Lights

2012-01-26T22:47:00.000-06:00

2012-01-26T21:21:00.001-06:00

Polica - Wandering Star (Live on 89.3 The Current)

2012-01-26T00:10:00.000-06:00

POLICA - Lay Your Cards Out

2012-01-25T23:59:00.000-06:00

ScHoolboy Q - Hands On The Wheel Feat A$AP Rocky

2012-01-25T23:42:00.000-06:00

morgan beringer

2012-01-25T23:40:00.001-06:00

The Kills - The Last Goodbye

2012-01-25T23:37:00.000-06:00

justice _ on'n'on

2012-01-25T23:35:00.002-06:00

Matthew Dear - In The Middle (I Met You There)

2012-01-25T23:35:00.001-06:00

Shlohmo - Trapped In A Burning House

2012-01-25T19:40:00.000-06:00

Shlohmo - Trapped In A Burning House (Official Video) from Shlohmo on Vimeo.

a.m. architect

2012-01-25T09:22:00.000-06:00

Children In The City by A.M. Architect

quentin jones

2012-01-25T09:18:00.003-06:00

http://www.quentinjones.info/

James Blagden

2012-01-20T03:15:00.001-06:00

penique productions

2012-01-20T00:47:00.002-06:00

arte creative

2012-01-20T00:43:00.000-06:00

Primitive Heritage

2012-01-17T20:58:00.000-06:00

cries

2012-01-17T20:52:00.002-06:00

Oupa - It's Rough

2012-01-17T06:16:00.001-06:00

Oupa - It's Rough from Boiled Egg on Vimeo.

slot.k

2012-01-17T06:12:00.001-06:00

Untitled, originally uploaded by Slot. K.

Melancholia Prologue

2012-01-17T06:10:00.001-06:00

re:generation

2012-01-17T05:53:00.001-06:00

melancholia

2012-01-12T20:56:00.000-06:00

agus suwage

2012-01-12T20:11:00.002-06:00

barnaby roper _ vanitas

2012-01-11T22:20:00.001-06:00

Brian Eno - Seven Sessions On A Milk Sea (7) : Instant Nuclear Family (Extended Version)

2012-01-11T12:10:00.000-06:00

Yoshi Sodeoka - GIFs

2012-01-11T10:44:00.000-06:00

RESET! - OH YEAH!

2012-01-11T03:36:00.001-06:00

BOOOOOOOOOOOOOOOOOOOOOBBBBBBBBBBBBBBSSSSSS

RESET! - OH YEAH! [UNCENSORED OFFICIAL VIDEO] from RESET! on Vimeo.

uncut!

postergraphics

2012-01-11T00:27:00.005-06:00

disease & disaster (for the vanquisher)

2012-01-10T20:12:00.008-06:00

Assaf Shaham

2012-01-10T19:59:00.001-06:00

spamm.fr

2012-01-10T03:07:00.000-06:00

"Visual arts have entered a new era. It’s a place where immediacy rules, where visual arts becomes virtual, a place that links the world together. A new era for artists who have invented new concepts, using digital medias, from video to graphism, static, animated or even computer-programmed. They have created a flamboyant design for a super-society created in the Web’s image.

Therefore, if "contemporary art" isn’t "from today" anymore, but just a continuing period of the XIX° century "modern art", we can proclaim - without hesitation - the existence of the Super Modern Art. It has existed for 10 years now across the web and new technologies. Super-modern art is a virtual museum." See more;

"By creating the Super Art Modern Museum (SPAMM), Systaime, Thomas Cheneseau and the Silicon Maniacs’s team, merely made up for the the indifference of cultural authorities and the need for society to understand the MUSEUM in another way. In 2012, the Museum has to tackle new issues as to the place of art, questioning the way to SEE it and to BUY it. The SuPer Art Modern Museum is an experiment to answer all those questions.

This is the reason why SPAMM takes up theses challenges. SPAMM is not only a new form of museum, it would like to encourage new forms of digital creation.

The Art of SPAMM is the art of Museum, the art of SPAMM is the eye of the collector, the art of SPAMM is the scream of an artistic movement, the art of SPAMM is collaborative and generative, it’s an art that gets out of homes and lives in the heart of machines, a new art for a new generation of artists, collectors, gamers, geeks, buzzers, actors and amateurs alike.

In the midst of this stream of creation, Thomas Cheneseau, Systaime and Silicon Maniacs select SPAMM artists. Systaime, Thomas Cheneseau and Silicon Maniac's team travel the world of virtual creation, from the Venice Biennale to lafiac.com, and they gather all their experiences together in a single place : SPAMM, a museum and an art manifesto." - Jean Jacques GAY, December 2011.

If art "should make us see what we have not already seen" (Paul Valery), Super Modern Art show us the art of tomorrow.

SPAMM artists participating in this first exhibition:
Andrey Yazev, Angelo Plessas, Anne de Vries, Anne Laplantine, Annie Abrahams, Anthony Antonellis, Brandon Blommaert, Chris Collins, Chris Timms, Claude Closky, Constant Dullaart, Daniel R Leyva, Dylan Fisher, Lhuisset, Emilio Gomariz, Eva and Franco, Mattes, Evan Roth, Zocco, Francoise Gamma, G3, Gregory Chatonsky, Helen Adamidou, Jankenpopp, Jennifer Chan, Jeremiah Johnson, Jeremy Bailey, Jodi, Jon Satrom, Kim Asendorf, Lorna Mills, Louise Sartor, Maurice Benayoun, Mr Doob, Nicolas Sassoon, Palle Torsson, Petra Cortright, Rafaël Rozendaal, Reynald Drouhin, Robert Lorayn, Rohan Fermi, Rollin Leonard, Rosa Menkman, Sarah Samy, Sarah Weis, Sara Ludy, Sterling Crispin, Systaime, Thomas Cheneseau, Wiwi Kuan, Yann Weissgerber.

spamm.fr

Barnaby Ward

2012-01-10T02:15:00.002-06:00

Manuael Fernández

2012-01-10T01:50:00.002-06:00

dylan fisher

2012-01-10T01:50:00.001-06:00

http://dylanfisher.com/gif_combinator/gif_combinator.html

//Remains in the End Times

2012-01-10T00:20:00.000-06:00

held in a city notorious for devastating earthquakes and the pioneering of early psychedelia, presents a paradigm of apocalyptic hallucinations and "tech-gnosis" contrasting modernity with ruination. The show title, partially derived from Slavoj Žižek's 2010 opus Living in the End Times, expands the proposition that there is no pending big bang, no End of Days — on the contrary, society is already immersed in this so-called Doomsday. As a result, a slow transformation has drifted us into a world where smog-ridden skies became the most beautiful sunsets imaginable and the white noise of a television lulls us to sleep at night.

Utilizing disposable technology, deteriorated media, and derelict landscapes as a conceptual foundation, these artists have transformed ruination into mature experiential works that unearth a new psychedelia. Rather than illustrating drug experiences, as in the case of hypnotic works of the 1960s, these works mesmerize and overwhelm the senses by way of reshaping the entropy and chaos of techno-inundated modern life — both helping us escaping our reality while firmly planting ourselves in it.

Jonathan Keller Keller _ Realigning My Thoughts On Jasper Johns

2012-01-10T00:11:00.002-06:00

http://jk-keller.com/simpsons-realigned/

Cristopher Cichocki

2012-01-10T00:07:00.000-06:00

Cristopher Cichocki - Soft Infrastructure (excerpt) from Cristopher Sea on Vimeo.

Wim Janssen _ Continuization Loop

2012-01-10T00:03:00.001-06:00

Continuization Loop - Wim Janssen (de WERKTANK) from Werktank on Vimeo.

In Continuization Loop, a single 35mm film loop is pulled up and down over more than 150 guiding wheels, creating a wall of film. The frames of this piece of film are only black or transparent. When the loop travels through the mechanism, the image of video static appears.
While film as a medium normally makes images appear through projection in combination with the transport of celluloid through a projector, Continuization Loop omits the projection and makes the image appear by means of the transport only.
The installation combines and imitates visual elements from three generations of visual media: the material aspect of film, the empty signal of video and the binary logic of digital. But at the same time the most important attributes of these media are absent: there is no construction of an illusory filmspace, there is no real video image and there are no computers involved.
Produced by de WERKTANK

antivj _ 3destruct

2012-01-09T23:53:00.001-06:00

3DESTRUCT / Scopitone 2011 from Yannick Jacquet (Legoman) on Vimeo.

carsten nicolai - future past perfect pt 3

2012-01-09T01:56:00.001-06:00

rotary signal emitter

2012-01-09T01:47:00.001-06:00

Rotary Signal Emitter - Side A from The Wire Magazine on Vimeo.

30 fonts

2012-01-08T21:06:00.001-06:00

http://www.youthedesigner.com/2011/10/26/30-new-free-fonts-for-designers/

Hauschka at NPR: Improvisation

2012-01-08T02:03:00.000-06:00

the do _ slippery slope

2012-01-06T00:12:00.001-06:00

Marco Brambilla - RPM for Ferrari

2012-01-05T05:14:00.000-06:00

Neïl Beloufa

2012-01-04T02:35:00.001-06:00

SUPER ART MODERN MUSEUM

2012-01-04T02:02:00.002-06:00

spamm.fr

2012-01-04T01:38:00.001-06:00

?

2012-01-04T01:29:00.001-06:00

roxana azar

2012-01-04T01:20:00.001-06:00

devil's pie (you don't know what you are doing)

2012-01-04T01:18:00.004-06:00

Tom Brock - There's Nothing In This World That Can Stop Me From Loving You

2012-01-03T23:43:00.001-06:00

story of genki

2012-01-03T04:15:00.001-06:00

m.i.a _ bang

2012-01-03T04:11:00.001-06:00

Carl Brugess

2012-01-03T04:01:00.005-06:00

Advanced Beauty from More Soon on Vimeo.

moresoon.org

colossus collapsing (murderous intent)

2012-01-03T01:48:00.001-06:00

colossus collapsing (murderous intent), originally uploaded by unuj.

Colossus Collapsing

2012-01-03T00:29:00.001-06:00

Colossus Collapsing, originally uploaded by unuj.

datamosh experiment no.1

Chairlift - "Evident Utensil"

2012-01-02T21:35:00.001-06:00

David OReilly

2012-01-02T21:31:00.001-06:00

so fuckin beautiful

rosa menkman Demolish the eerie ▼oid

2012-01-02T21:24:00.001-06:00

Macroblock studies: research in the digital material of film.
The lossy compressed video image is framed fundamentally different from analog or RAW video footage. First of all, the frames no longer rely upon raw pixels. Instead, macroblocks have become one of the elementary components of the lossy compressed moving image (at least under current standard codecs of, amongst others, the Moving Pictures Experts Group ‘MPEG’). Lossy compressed video often depends on luminance (brightness) and chrominance (coloring) thresholds arranged within 16x16 pixel (more or less) macroblocks within the keyframes (the I-frames) of an image sequence. The thresholds (or frequencies) of chrominance and luminance depend on an oscillating cosine function (following Fourier Transform).
Moreover, the material of the digital film is no longer based on a linear series of discrete images (a sequence); instead the video consists of different kinds of frames (I-frames or reference/key frames, P-frames or forward-predicted frames and B-frames or bi-directional frames), of which only the keyframe possesses a complete matrix of macroblocks. The frames between the keyframes (the P- and B-frames) consist of motion vectors that index only the difference in position (the offset) of the macroblocks between the original and the next frame. The handling of space and time within the video technologies is thus significantly different between the linear analog or RAW footage and lossy compressed footage.

Just like any other technology does, these new digital technologies posses their own specific artifacts. A couple of these artifacts are for instance “macroblocking”, “mosaicking”, “pixelating”, “quilting” or “checkerboarding”. And as is normal with any new technology, there is a growing group of (video) artist exploring these different artifacts of this new and constantly changing digital canvas.
A recently popularized wave of video artworks was based on the deletion of keyframes and the exploitation of the vector motion of P-frames. I described this current, which is dubbed datamoshing, pixel bleeding or just compression art, in some earlier posts.
A bit more obscure (partially because maybe the results are a bit less magical) is a related strategy that doesn’t rely on the deletion of keyframes and the exploitation of motion vectors, but on the exploitation/bending of chrominance and luminance algorithms of the Fourier Transform thresholds of the macroblocks. This method visualizes the otherwise mostly obscured macroblock structures of digital video.
The non-technical term macroblocking thus refers to compression/noise artifacts in lossy compressions, that shows up when for instance some data of chrominance/luminance is broken, the FTT cosine function itself is bended or some video image data is for instance edited in a hexeditor.

In "Demolish the eerie ▼oid" I exploit macroblocking, by opening a DV file in texteditor and playing around with the code. What became clear to me is that multiple things can happen – and I am not sure (yet) what pieces of code trigger what results. In one of the first tries I encountered some quite mystifying, but nice new organizations of color (chrominance) structures. The matrix of macroblocks is still completely intact but the chrominance values are ... off. The structure of the video is however still intact - you can still recognize me when you look very close/pay attention. The extreme color shift make it hard though. The matrix of macroblocks holds some puzzling but pleasantly surprising opportunities.
Extraboy used a rain vst, PIPPO vst and C64 noise to compose a complimentary soundscape.

radiohead _ videotape

2012-01-02T21:20:00.002-06:00

another old datamosh / videosynth gem from the radiohead. thom yorke in the videolab = epic

Benbo George

2012-01-02T01:32:00.008-06:00

link

Julian Oliver - Föhnseher

2012-01-02T01:10:00.001-06:00

Föhnseher (Seer of Warm Winds) from Julian Oliver on Vimeo.

2012

2011-12-30T01:31:00.001-06:00

2012, originally uploaded by unuj.

kanye west _ welcome to the heartbreak

2011-12-29T03:37:00.001-06:00

KANYE WEST [Welcome to Heartbreak] from nabil elderkin on Vimeo.

datamoshing

2011-12-29T02:34:00.001-06:00

Gift Wrapped: DVF

2011-12-29T01:31:00.001-06:00

Gift Wrapped: DVF on Nowness.com.

lana del rey _ born to die

2011-12-29T01:24:00.000-06:00

LANA DEL REY - Born to die from Yoann Lemoine on Vimeo.

Echoes Feat Bundy K. Brown-Directions

2011-12-29T00:33:00.003-06:00

kieran hebden이 말 한 four tet의 동기부여가 되었다는 음악.

참고로 bundy k brown은 tortoise 1집때 베이시스트 였고 그 후 에도
존 매킨타이어의 sea and cake이나 제프파커의 chicago underground trio같은 프로젝트에 엔지니어로
참여하며 tortoise멤버들이랑 프로젝트를 계속 하고 있다.

Cullinan + Richards - PAINTING FOR BUDDHA

2011-12-28T23:27:00.001-06:00

SANTTU MUSTONEN

2011-12-28T21:07:00.002-06:00

Hidenori Mitsue

2011-12-28T03:37:00.001-06:00

Raquel Zimmerman Vs Nick Knight _ Chanel

2011-12-28T02:57:00.000-06:00

rapid eye movement

2011-12-28T02:54:00.001-06:00